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Thursday, March 31, 2011
Movie Beastly 2011
Cast: Alex Pettyfer, Justin Bradley, Mary-Kate Olsen, Dakota Johnson, Erik Knudsen, Vanessa Hudgens, Karl Graboshas, Peter Krause, Lisa Gay Hamilton, Jonathan Dubsky, David Francis, Neil Patrick Harris, Rhiannon Moller-Trotter, Steve Godin, Gio Perez
Genres: Drama, Fantasy, Romance
Production: CBS Films, Storefront Films
Country: United States
Release Date: 2011
Watch trailer Beastly
Monthly Wallpaper - April 2011: Elizabeth Taylor
Eight of her most beloved performances are represented, from the timeless favorite National Velvet to her Oscar-winning roles in Butterfield 8 and Who's Afraid of Virginia Woolf?, from the infamous Cleopatra to the Tennessee Williams classics Cat on a Hot Tin Roof and Suddenly, Last Summer.
All you have to do is click on the picture above to enlarge it, then simply right click your mouse and select "Set as Background". (You can also save it to your computer and set it up from there if you prefer.) The size is 1024 x 768, but you can modify it if needed in your own photo-editing program.
HALL PASS
Cast: Owen Wilson, Jason Sudeikis, Jenna Fischer, Christina Applegate, Nicky Whelan, Richard Jenkins, Stephen Merchant, Larry Joe Campbell, Bruce Thomas, Tyler Hoechlin, Derek Waters, Alexandra Daddario, Rob Moran, Lauren Bowles, Christa Campbell
Genres: Comedy
Production: Conundrum Entertainment, New Line Cinema
Country: United States
Release Date: 2011
A married man is granted the opportunity to have an affair by his wife. Joined in the fun by his best pal, things get a little out of control when both wives start engaging in extramarital activities as well.
UNKNOWN 2011
Cast: Liam Neeson, Diane Kruger, January Jones, Aidan Quinn, Bruno Ganz, Frank Langella, Sebastian Koch, Olivier Schneider, Stipe Erceg, Rainer Bock, Mido Hamada, Clint Dyer, Karl Markovics, Eva Löbau, Helen Wiebensohn
Genres: Action, Drama, Mystery, Thriller
Production: Canadian Film or Video Production Tax Credit (CPTC), Canadian Film or Video Production Tax Credit (CPTC), Canal+
Country: United Kingdom, Germany, France, Canada, Japan, United States
Runtime: 113 min
Release Date: 2011
I had been looking forward to seeing Liam Neeson’s latest thriller, Unknown, ever since I saw the trailer a few months ago. It reminded me of Taken (another Neeson film), one of my surprise favourites from a couple of years back, with an compelling mystery anchoring the plot — a biologist visits Berlin with his wife and has an accident, and when he wakes up from a coma days later, another man has assumed his life.
Is there a conspiracy at play here, or has he lost his mind? And what lengths will he go to in order to uncover the truth and take back his life?
For the most part, Unknown unfolds as expected. Nothing appears to make sense, and it keeps you guessing whether what you’re seeing is real, imagined, or perhaps both. At the same time, there is action, suspense and thrills, and plenty of it. I can honestly say I was intrigued.
Of course, Liam Neeson is brilliant, but the supporting cast wasn’t too shabby either — Diane Kruger, January Jones, Aidan Quinn, and Frank Langella. Each actor/actress manages to put their stamp on their characters, even with limited screen time.
Director Jaume Collet-Serra (who directed the underrated Orphan) does a fairly good job here with some pretty farcical material (and I’m not just talking about how improbable it is for someone as attractive as Diane Kruger playing a taxi driver).
In less capable hands, Unknown could have easily spiralled out of control, but despite all the plot holes and unnecessary convolution in the unravelling of the mystery, the film manages to stay afloat and avoid total disaster.
Ordinarily, films with predicaments this bizarre can only end in bitter disappointment. You’ll tend to be riveted by the mystery until you discover the truth, which is usually outrageous or silly or both, and the film just completely crumbles from that point on. Surprisingly, Unknown‘s resolution is about as good as you can get for a film of this kind. It’s not necessarily believable, but considering how far it takes you, it’s at least within the realm of possibility. Or so I tell myself…
A man awakens from a coma, only to discover that someone has taken on his identity and that no one, (not even his wife), believes him. With the help of a young woman, he sets out to prove who he is.
DOWNLOAD : http://www.mediafire.com/?7kf7j5w35bzub
The Adjustment Bureau
Cast: Matt Damon, Lisa Thoreson, Florence Kastriner, Phyllis McBryde, Natalie Carter, Chuck Scarborough, Jon Stewart, Capt. Gregory P. Hitchen, Darrell Lenormand, Kar, Michael Kelly, RJ Konner, Susan D. Michaels, Anthony Mackie, Gregory Lay
Genres: Romance, Thriller
Production: Universal Pictures, Media Rights Capital, Gambit Pictures
Country: United States
Release Date: 2011
Do we control our destiny, or do unseen forces manipulate us? Matt Damon stars in the thriller The Adjustment Bureau as a man who glimpses the future Fate has planned for him and realizes he wants something else. To get it, he must pursue the only woman hes ever loved across, under and through the streets of modern-day New York. On the brink of winning a seat in the U.S. Senate, ambitious politician David Norris (Damon) meets beautiful contemporary ballet dancer Elise Sellas (Emily Blunt)-a woman like none hes ever known. But just as he realizes hes falling for her, mysterious men conspire to keep the two apart. David learns he is up against the agents of Fate itself-the men of The Adjustment Bureau-who will do everything in their considerable power to prevent David and Elise from being together. In the face of overwhelming odds, he must either let her go and accept a predetermined path... Written by Universal Pictures
Photos The Adjustment Bureau
I am Number Four
Cast: Alex Pettyfer, Timothy Olyphant, Teresa Palmer, Dianna Agron, Callan McAuliffe, Kevin Durand, Jake Abel, Jeff Hochendoner, Patrick Sebes, Greg Townley, Reuben Langdon, Emily Wickersham, Molly McGinnis, Brian Howe, Andy Owen
Genres: Action, Sci-Fi, Thriller
Production: DreamWorks SKG, Reliance Big Entertainment, Bay Films
Country: United States
Release Date: 2011
Wednesday, March 30, 2011
Toon Talk: Let Down Your Hair
As told in my original Toon Talk review of Tangled upon its theatrical release last November, I admitted to being disappointed with the film. And while Tangled’s faults — such as its formulaic plot, non-distinctive songs and overall sense of “safeness” — are still present, my second viewing was a more rewarding one. Perhaps it was because my expectations were lowered following my first viewing, or maybe Tangled’s charms just needed to grow on me, but I found it more clever and romantic, not to mention funnier, the second time around...
Click here to continue reading my Toon Talk review of the Tangled Blu-ray at LaughingPlace.com.
Monday, March 28, 2011
Reel Thoughts Interview: Tailor-Made Role
Set in the small Russian village of Anatevka at the turn of the 20th century, Fiddler on the Roof is a moving musical about Tevye, a poor milkman, who must balance his belief in tradition with the realities of the modern world. Each of his three eldest daughters fall in love with men he finds objectionable, one for a poor tailor (played by Boza), one for a fiery radical and, most upsettingly, one for a Russian gentile. At the same time, the Tsar begins ordering attacks against the Jewish settlements that will culminate in the Jews being forced from their homes. Songs like “If I Were a Rich Man”, “Sunrise, Sunset” and “Matchmaker, Matchmaker” have become well-loved standards that everyone knows. Despite the pain and drama of the story, Fiddler on the Roof contains much humor and levity. Laughing in the face of oppression is something Jewish and GLBT people have in common.
If Boza seems particularly comfortable in his role as the poor, mild-mannered tailor Motel Kamzoil, it is not surprising. He previously played the role in a much darker production of Fiddler done at the Olney Theatre outside of his home in Washington DC. “It’s a first for me,” he explained. “I’ve never played a role twice and both productions are so different. Our current production is much closer to the original, because our director was actually in the original production, he was a dancer. He worked closely with Jerome Robbins. I love my character so much that after I finished playing him the first time, I knew that I was dying to play him again.”
“Motel is very humble; he’s hard-working, quiet. I relate to him a lot. He has a nervous quality. He is used to being alone a lot, and he has to overcome that by facing his fears and standing up for what he really wants, which is (Tevye’s daughter) Tzeitel. I find him so genuine and I try to live my life as close to him as possible.”
Boza spoke to me from Easton, Pennsylvania, where the previous night’s performance had to be cancelled due to snow. “The entire cast is looking forward to heading out West,” he laughed. He enjoys the hectic tour schedule, even though with so many one-night stops, he admits it can be hard to remember where you are and where you have been the week before.
“It’s all about family to me,” Boza said, explaining what resonates most with him about Fiddler. “Everyone in Anatevka overcomes so much, and even though we’re leaving the village we will all still be connected. We’re very blessed as a cast to feel that way offstage as well.”
Boza is a first generation Cuban-American who grew up outside of Washington DC. He graduated with a degree in Elementary Education and taught for six years before making the big move to New York. He got the Fiddler tour shortly after that. “I couldn’t be happier than I am right now.” The production feels very important, he says, after the recent deaths of its creators, Jerry Bock and Joseph Stein.
“Other than that there are a lot of cute guys in the cast?” Boza laughed, when asked what will appeal to the GLBT audiences. “The underlying tone of acceptance, even though there is a lot of change. Tevye really comes a long way from the beginning of the show. I see a parallel to being gay and having come out to my family, and how they had to deal with that struggle. I’m pretty sure that my past boyfriends haven’t been a perfect match,” he laughed. “Tevye really comes along and becomes accepting, as my parents did.”
“My (coming out) was pretty difficult,” Boza explained. “My parents were both raised in Cuba, so they weren’t exposed (to gay people). It took a couple of years, but they have really come around and are the most accepting people. It’s made our family even stronger than it was before. I came out ten years ago, and I think the media was different back then. Not everyone is a stereotype, but I think my parents expected me to come out and suddenly be in a dress or change who I was. I didn’t, and I think that they came to realize that my being gay wasn’t who I was, just a part of who I was.”
“No matter what your background is, you will relate to this show,” he concluded. “I really believe that you will fall in love with all of the characters in our production.”
The Fiddler on the Roof tour opens at ASU Gammage in Tempe, Arizona Tuesday March 29 and continues through April 3. Click here for tickets and more information.
Interview by Neil Cohen, resident film critic of Movie Dearest and Phoenix's Echo Magazine.
Friday, March 25, 2011
Reel Thoughts Interview: Broadway's Most Requested
Many people didn’t know she could sing when they fell in love with Miss Collins, the sympathetic gym teacher she played in Brian DePalma’s iconic 1976 film Carrie. Buckley hit a nerve with bullied or outcast students everywhere as she tried to help Sissy Spacek’s abused teen navigate the horrors of high school. Then, Buckley further endeared herself to TV audiences when she had the unenviable task of coming in as Abby Bradford on the popular show Eight is Enough when Diana Hyland, who played the mother, passed away suddenly in the first season. However, it is on the Broadway stage where Buckley really shines, originating the role of Grizabella in Cats, where she immortalized the song “Memories”, and entrancing audiences as the faded star Norma Desmond in Sunset Boulevard.
Buckley lives on a beautiful ranch near Fort Worth where she raises cutting horses and teaches Master Classes when not touring the country. It was after 9/11 that she decided to get back to her roots and buy the ranch, which she considers a solace to her soul. A strong animal rights advocate, she shares her ranch with four horses and “lots of cats and dogs that I’ve rescued". GLBT fans have always appreciated Buckley’s strong support of Broadway Cares/Equity Fights AIDS as well.
When I spoke to her by phone, she was finishing a critically acclaimed run of the classic comedy Arsenic and Old Lace at the Dallas Theater Center. “We’ve got a really fresh, outrageous production so I am really having a lot of fun with it" Buckley explained.
It is quite a change to go from poisoning old men to finessing Broadway ballads in Scottsdale, but Buckley loves the show she is bringing to the Scottsdale Center for the Performing Arts tomorrow evening. “We’re doing a show called Broadway By Request. My cohort Seth Rudetsky is a brilliant comedian, pianist and he’s a radio talk show host on Sirius Radio. He’s very funny, so we’ve been doing this show for the last year and a half. It’s all the songs that I’ve originated on Broadway and sung in various Broadway shows that the majority of people across the country have requested over the years. Seth also does some of his famous (song) deconstructions. We enjoy doing it, and the audience seems to enjoy it, too.”
Why does the GLBT community love Buckley so much? “Well, I think there’s a history of the gay and lesbian community really loving Broadway “singing ladies,” and I just think in general the gay and lesbian community has good taste,” she said laughing. “I think the community likes things that are authentic and fully emotionally expressive, and I think that that’s part of the reason that divas of the musical stage are embraced by the gay community. I think that the LGBT community is more open and authentic as to who they really are, because in our society they’ve had to really claim themselves, so I think that authenticity is at essence what they’re about.”
I asked Buckley what her personal career highlights were, and she responded, “I think that the jewel of my collection is the song "Memory" from Cats that is my signature song; I feel very fortunate to even have a signature song. But also the songs from Sunset Boulevard. Those two years of my life, a year in London and a year on Broadway doing Sunset, were wonderful and a great, great experience. Playing Norma Desmond was one of the high points of my career, along with playing Grizibella (in Cats)."
Social media has brought Buckley close to her fans, which she enjoys. “I’ve been on Facebook this past year. My brother Norman made me go on Facebook and Twitter and it’s been really nice to have a direct correspondence, if you will, with my friends on Facebook. The lovely things they say about how my work has been meaningful to them through the years really means a lot in every form of how they express it. It’s been very gratifying to experience that.”
Seth Rudetsky has a huge following as well, and Buckley is a big fan. “Seth knows all things Broadway, he’s like an encyclopedia. He especially loves high belting. He’ll play a video or a recording of something and explain why it is what it is and why it’s had the impact that it has right down to the technical aspect of the singing. For one thing, it’s very astute and for another, it’s very, very funny." His “Seth’s Sassy Blog” is full of funny anecdotes about growing up loving Broadway and all of the camps, schools and experiences playing piano on Broadway shows that have filled his life.
Buckley credits Rudetsky with helping her “construct some of the best work I’ve done.” She is excited for people to hear her new recording, Bootleg: Board Mixes From the Road, which contains live performances collected from her concerts, and which contains a preview of her upcoming CD Ghostlight. She reunited with her old friend T-Bone Burnett to record the new album that will come out this Fall. “I am very, very excited about it. I just heard the final mixes at his studio in Los Angeles and it’s just gorgeous. I can’t wait for everyone to hear it.”
Interview by Neil Cohen, resident film critic of Movie Dearest and Phoenix's Echo Magazine.
Wednesday, March 23, 2011
Reverend’s Reviews: 1970’s Live Again in Potiche
That all changes, however, when her tyrannical, philandering husband’s employees go on strike and he suffers a stress-related heart attack. Suzanne is elected (with the support of the local Communist Party politician, played by Gérard Depardieu) to fill in for her husband while he recuperates and mediate changes at the factory. Initially reluctant to do so, she becomes wildly popular with the employees and finds herself enjoying her new responsibilities, so much so that Suzanne refuses to step down when her husband returns.
Ozon “freely adapted” his screenplay from a popular stage satire of the women’s liberation movement, also titled Potiche. As director, he fills the movie with amusing visual references to the late-70’s setting including a faux copyright date under the opening title card, a Farrah Fawcett imitation hairstyle Suzanne’s daughter sports and, of course, bellbottom pants and other fashions of the time in psychedelic colors.
While not a musical, Potiche includes a disco-set dance number led by Deneuve and Depardieu, and Deneuve brings the film to a close with the rousing “C’est beau la vie” (“How Beautiful Life Is”), which she sings during a political rally. Viewers should pay attention, too, to the film’s campy opening theme music and transitional music cues that echo those used on Charlie’s Angels.
As an out gay man, Ozon clearly sympathizes with the journey toward sexual and political emancipation that Suzanne and her supporters make in the movie. Chief among the latter characters are Suzanne’s secretary and son. Liberated under Suzanne’s leadership, the secretary (a great turn by Karin Viard) bluntly tells her former boss — Suzanne’s husband, with whom she was also having an affair — upon his attempted return to work, “I’ve learned you don’t have to spread your legs to get ahead!” Suzanne’s son is an initially closeted gay man (played by Jérémie Renier with a nod to Dirk Benedict of the late 70’s series Battlestar Galactica) who gradually reveals his relationship with a local man.
The attractive, 43-year old Ozon is a former child model. He previously wrote or co-wrote and directed the award-winning films Swimming Pool, Hideway (Le Refuge), 8 Women and Criminal Lovers, among others. While gay characters figure into many of his movies, most of Ozon’s productions feature strong female lead roles that have been played by such formidable actresses as Charlotte Rampling, Isabelle Huppert, Fanny Ardant and, now, Deneuve. As Ozon told one interviewer, “I’m sure I say very intimate things about myself in all my films, but it’s better to say it not too directly, to be hidden behind a woman.” An exception to this among his movies is Time to Leave, about a gay fashion photographer dying of cancer.
Deneuve isn’t chiefly known for comedy, but she gives a wonderful comedic performance in Potiche and clearly had fun making it. In collaboration with Ozon, Deneuve makes Suzanne’s growth from timid housewife to powerful politician believable and inspirational. By the film’s end, Suzanne is no one’s trophy wife.
Reverend’s Rating: B+
UPDATE: Potiche is now available on DVD and Blu-ray from Amazon.com.
Review by Rev. Chris Carpenter, resident film critic of Movie Dearest and the Blade California.
Thursday, March 17, 2011
Vanishing on 7th Street (2010) R5 375mb
MOVIE INFO:
http://www.imdb.com/title/tt1452628/
Complete Name……………: Vanishing on 7th Street
Format………………….: Matroska
File size……………….: 373 MiB
Duration………………..: 1h 27mn
Overall bit rate…………: 596 Kbps
Resolution………………: 720 x 304 pixels
Frame rate………………: 25.000 fps
Audio…………………..: AAC 48000KHz
Audio Language…………..: English
Source………………….: Vanishing On 7th Street (2010) R5 AC3 XViD-T0XiCiNK
Encoder…………………: ARNT
[iMDB RATING]:…………..: 5.2/10
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